CREDITS

(Not Definitive)

- Some of Our Most Acclaimed -

Retro-style cityscape of Chicago at dusk with balloons, a goat, and a man in pinstripe suit and fedora smoking a cigar. Album artwork for Sufjan Stevens's album "Come on feel the illinoise".
Collage of various body parts, objects, and machinery arranged in a circular pattern on a light grid background, with the text 'The Dillinger Escape Plan' and 'Miss Machine' at the bottom. Album artwork.
A person wearing a skull mask with skeleton gloves crossed over their chest, dressed in dark clothing against a plain background. The misfits album artwork.
Drawing of a man with a wild expression, holding a baseball bat covered in blood, with splashes of blood around him. The text 'Cannibal Corpse' appears at the top in bloody font, with 'Red Before Black' at the bottom. Album artwork.
artwork depicting a skull with glowing green eyes and a mouth emitting green energy. The skull has a textured, wrinkled surface and is surrounded by large, distorted hands and abstract elements. High on Fire's Electric Messiah album art.
A person standing in front of a lighted mirror with the words "Motionless in White" and "Infamous" written above and reflected in the mirror, with a broken glass effect. Album artwork.
A graffiti-style mural of a Menacing skull with glowing eyes and horns, dripping with paint, with tanks at the bottom, and the words "Motörhead Aftershock" above and below. Album artwork.
Black and white logo of a disco ball with the text 'lcd soundsystem' in the top right corner. Album artwork for self-titled album.
Album titled Leviathan" by the band Mastodon featuring a large white whale with detailed carvings on its body, and a sailing ship in stormy waters with a dramatic sky in the background.
A sepia-toned photograph of a young girl with short bob haircut, smiling and holding a doll, with overlaid text 'Norma Jean' and "Bless the martyr and kiss the child". Album artwork.
A woman surrounded by flowers, butterflies, and animals, with dark hair and body paint. Baroness album artwork.
Album cover for 'You Can't Stop Me' by Suicide Silence, featuring a burning book with inky blackness and silhouettes of figures, with the band's logo and album title.
Clutch logo on a vintage background with gears and scientific drawings. Album artwork.
A group of teenagers sitting on a couch in a classroom or lounge, with more teens standing and talking in the background. The scene appears casual, with some individuals making gestures or poses. Saves the Day album art for "Through being cool".
Black and white photo of five young men in suits, one standing and four engaged in a breakdancing move on a checkered floor. The photo has a title overlay reading 'every time i die' and 'last night in town' with a grid pattern background. Album art.
Album cover art for The Black Dahlia Murder's 'Everblack', featuring a dark, stormy landscape with lightning, ominous trees, and dark tombstones.
Dark, demonic figure with chains, fiery head, and contorted pose, with the word 'DEICIDE' in red, and text 'IN THE MINDS OF EVIL' at the bottom.
Album cover for The Misfits' "Static Age" featuring black and white photos of band members with a red background.
A dark illustration of a bald, muscular man with glowing eyes, surrounded by thorny vines and circular designs, with the text 'COMEBACK KID' and 'DIE KNOWING' at the top.
Album cover featuring a skull with horns, surrounded by dark, intricate designs, with the words 'Drowning Pool' at the top and 'Hellelujah' at the bottom.
Artistic portrait of a woman with her eyes closed, in a black and white style with textured background. Converge Album artwork for "Jane Doe".
Black album cover with white graphic of a flame and text 'alkaline trio' and 'HOT WATER MUSIC' with skull inside a heart.
Cover of an album titled "The Dillinger Escape Plan: Calculating Infinity" with a close-up image of machine gun barrels.
Cover of an album titled 'Hadestown' by Anaïs Mitchell, featuring a stylized portrait of a person with a flower near their face, set against a dark background with red and beige design elements.
Album cover for Atreyu titled "Suicide Notes and Butterfly Kisses" featuring artistic illustration of butterfly wings with a person in the center.
Graffiti art featuring a person holding a balloon with the text 'BEFORE TODAY' and 'A CELEBRATION OF AN ENDING' on a red background; urban cityscape at the bottom. Album artwork.
A woman lying on a dark surface with her hair spread out, wearing a black dress, with smoke or mist surrounding her, and the text 'Chelsea Wolfe Abyss' below. Album artwork.
A circular window with a mural depicting a tree decorated with string lights, illuminated signs, and a sunset in the background. Includes a person walking down stairs, with silhouettes and glowing accents in a vibrant, artistic style.Clutch album art
Black and white artistic depiction of a cloaked figure with a hooded face, surrounded by abstract textures and patterns, with the words 'Converge' and 'The Dusk In us'. Album art.
Album cover with a red mountain landscape featuring an opening resembling a screaming mouth with teeth. Skeleton-like figures are climbing the mountain. The band name 'Death' is in the top left corner, and at the bottom, it says 'The Sound of Perseve
Graffiti on a wall reading "HOT DAMN!" in red spray paint, and handwritten text "EVERY TIME I DIE" in white and black fonts, with a hand partially visible on the right side of the image. Album art.
Album cover for Fleetwood Mac's 1969 album 'Shrine' The cover features a woman with butterfly wings, dark eye makeup, and a pearl headband, with a group of five men below her. The background has pink and orange tones.
Young child being held in the arms of a large white painted figure resembling two snowmen with black eyes, set against a blue background with trees in the painting. Frank Iero and the Patience Album artwork for "Parachutes".
Snow-covered mountain peak against dark stormy sky with text 'The Ghost Inside - Get What You Give' and a logo below. Album artwork.
Album cover featuring flames and a demonic skull with smaller skulls, with the band name Hatebreed at the top. Self-titled album art.
A sepia-toned cover with a central image of a dirt path through trees, titled 'Suck Out the Poison.' He is Legend album art.
Wall with shelves filled with vinyl records and a sign that says 'LCD SOUND SYSTEM'. Album artwork.
Cover of a music album titled 'The Levon Helm Band: Midnight Ramble Sessions, Volume Two,' featuring decorative swirling lines and bold, shiny text.
Illustration with a detailed, ornate design, surrounded by a celestial frame with astrological symbols, planets, and stars, along with the text 'Mastodon' and 'Medium Rarities' at the bottom. Mastodon album art.
Album cover art for Motionless in White's 'Creatures' featuring a dark, eerie forest scene with twisted trees, glowing eyes, and ghostly white hands reaching upward.
A display of a microscope, a glass jar with a clear liquid, and raw pork ribs, with a large taxidermy raven perched on top of the jar. The text overlay includes the name "Norma Jean". Album artwork for Norma Jean's 'Birds and microscopes'.
A young boy in a white shirt and tie and a young girl in a white dress hold hands, exchanging a glowing rectangular object between them, against a dark background and the title "Pierce the Veil" and the subtitle "Selfish Machines". Album art.
Album cover art featuring a black ink splash illustration resembling a bird, with scattered ink splatters on a white background. Text reads 'The Dillinger Escape Plan One of Us is the Killer'.
A black and white photo of a snow-covered landscape with a car in the center, trees, and a cloudy sky. The top text says 'Thursday', and the bottom right says 'waiting'. Thursday album art.
Pink background with a white snake coiled at the bottom. A snake head with the number 68 in pink on it is biting the snake's tail, producing lightning bolt shapes. Text reads 'Two Parts Viper' in the upper left corner; album art.
Futuristic digital cityscape with streaks of light, a large explosion or energy blast in the sky, and text that reads 'UNDEROATH' and 'THE CHANGING OF TIMES'. Album art.
Illustration of a man in sunglasses and a suit, holding an axe over his shoulder, with a cigarette in his mouth, and a red circular sticker that reads 'Every Time I Die, Last Night In Town, 10 Tracks'. Album art.
A person dressed in a duck costume sitting on a porch, with a snowy suburban neighborhood visible through the window. Text overlay reads: "The Wonder Years Present: Suburbia. I've given you all and now I'm nothing." Album art.
A young boy leaning against a weathered wooden fence, holding a small stuffed animal, with a grassy ground in front. Movements' album art for "Outgrown Things."

- Metal -

A hand reaching into dark water with bubbles and light shining from above, with the text 'Unearth Darkness in the Light' at the bottom. Album artwork.
Album cover for 'The Somatic Defilement' by White Chapel, featuring a dark background with barbed wire and a worn wooden chair.
A dark, apocalyptic scene featuring a sinister figure with a disfigured face, dressed in religious attire, holding a sword in one hand and a mask on the other. The background shows a fiery landscape, and text reading 'HELL CHOSE ME'. Carnifex album.
Album cover with a gritty, green-tinged portrait of a girl's face, partially obscured by shadows. The album title 'The Diseased and The Poisoned' is written in yellow text at the bottom. The band name is displayed in a stylized, "Carnifex".
A dark, apocalyptic scene with zombies surrounding a man in a doctor coat and glasses. The zombies are decayed and menacing, with some holding flags. The title 'Awaken to the Suffering' is at the bottom. Pathology album art.
Album cover art for Merauder's "Five Deadly Venoms" featuring a red hand in a circle, surrounded by illustrations of a centipede, snake, and tentacles, with dark, horror-themed colors.
A distressed, layered graphic featuring a dark red square with chaotic, scratched textures and a feather on the right side. The background is a weathered, beige surface with horizontal lines. Car Bomb's 'Centralia' album art.
A vertical photograph of a building with illuminated yellow signs, taken from an angle, with text overlay that says "thrice." The overall tone is dark and moody, with part of the image appearing to be upside down. Album art.
Person in a white lab coat holding a black face mask with a dark background. The words 'Word Alive Deceiver' are written on the left side. Album artwork.
A black and white illustration of an old man with long hair and a beard, holding his hand up. A dark cone with eye designs and faces emerges from his eye and points toward the left. The background is filled with dark leaves, and there is a snarling a
Album cover for Cannibal Corpse's 'Evisceration Plague,' featuring a dark, horror-themed illustration of menacing zombies with rotting skin and expressions of rage against a black background, with the band name in red, dripping text at the top.
A dark, ominous airship with bat-like wings flying through fiery orange and red storm clouds, with lightning in the background. The text says 'high on fire' and 'Come the Storm'. Album art.
A surreal illustrated scene with a large, seated, multi-armed woman wearing a gas mask, smoke rising from her hand, and surrounded by monstrous animal figures with horns. The Black Dahlia Murder album art for 'Deflorate'.
Album cover for the band 'Shadows Fall' with the subtitle 'The War Within'. The cover features a distressed photo of a person with a blurred face, surrounded by black and white images and artwork.
Album cover for The Big Dirty, by Every Time I Die, featuring a stylized illustration of a dog with a serious expression, holding onto the collar of a person whose face is not visible. The cover has a purple and beige color scheme with text indicatin
Album cover art showcasing a dark, chaotic scene with monstrous, grotesque creatures and a fiery red and black background. The text reads 'GWAR' at the top and 'Bloody Pit of Horror' at the bottom.
A dark, fantasy-style illustration of a humanoid figure with a ram skull head, sitting on a throne, surrounded by flames, armor, and weapons, with a burning background and a sinister atmosphere. Job for a Cowboy album art for 'Ruination'.
Logo for Alesana, with a grunge art background and a silhouette of a person with a backpack looking into a mirror. Album artwork for "The emptiness."
A surreal digital art piece featuring a person's head with a glowing, abstract universe surrounding it. The artwork includes celestial elements, geometric shapes, and mystical symbols with the text 'Born of Osiris The Discovery'. Album art.
Target with the Shadows Fall logo and a yellow smiley face in the center. Album artwork for 'Seeking the Way.'
Poster with the bold red text 'SICK OF IT ALL' and smaller red text 'Yours Truly' over an abstract background of black, white, green, and gold shapes featuring eyes and circular patterns. Album art.
Black and white album cover with a clenched fist in the center. The band name 'Sworn Enemy' at the top in a gothic style font and the album title 'As Real As It Gets' at the bottom. Parental advisory label at the bottom right.
Album cover art depicting a fiery, intense scene with mythological or fantasy elements. The text reads "terror" at the top and "Always The Hard Way" at the bottom.
Illustration of a fantasy scene with a demonic warrior wielding a spear, a troll holding a bloodied sword, and a distressed woman surrounded by flames and skulls, with dark sky background. Merauder album art for 'God is I.'
Decorative emblem with a winged horse at the top, skulls, a bull's skull, a bee, and a banner reading 'SHADOWS FALL RETRIBUTION'. Album art.
A dark, dystopian cityscape scene featuring a humanoid figure with a goat skull and large horns for a head, holding a sword in one hand and scales with fish and other objects in the other. Job for a Cowboy album art for 'Demonocracy.'
Image of a figure with a bull's head, multiple arms holding knives, and adorned with skull necklaces and bracelets. Seated in a lotus position in a dim, fiery room The words 'Cattle Decapitation' are at the top, and 'Karma. Bloody. Karma.'
A person wearing a gas mask and a white shirt with rolled-up sleeves, holding a flaming object in front of a graffiti-covered wall with a sign that reads '24 HR SURVEILLANCE IN OPERATION.' Molotov Solution album art for 'The Harbinger.'
A person in colorful clothing riding a unicycle on a sandy landscape with a tent on a hill in the background, and the words 'Circus Maximus The 1st Chapter' written on the scene. Album art.
Artistic poster with geometric shapes and technical drawings, featuring the words 'WAGE WAR' and 'BLUEPRINTS'. Album artwork.
Person with pale skin and black makeup, with black gloves, holding their face with both hands. Black lipstick and black dripping paint on their lips and neck. Text overlay reading 'New Year's Day' and 'Victim to Villain'. Album art.
Colorful, graphic illustration for a video game titled 'GWAR,' featuring various grotesque, monstrous characters and demons in a dark, horror-themed scene with red and black tones. The bottom text reads 'Bloody Pit of Horror.'
A mountain with a snow-covered peak, under a dark sky with a large black sun or moon, and birds flying. A silhouette of a person stands in the center among wreckage and leafless trees. Project 86 album art for 'Knives to the Future.'
Dark, moody artwork depicting a person carrying a large object on their back, with stylized text reading 'Warning' and 'Watching From a Distance' in the top right corner. Album artwork.
A dark forest scene with two figures dressed in black. One figure, in a hooded robe, is holding a sword, while the other, with a bald head, appears to be screaming or shouting. 3 Inches of Blood album art for 'Here Waits Thy Doom.'
Dark, underground cavern filled with numerous human skulls and bones. A large, white, intricate band logo is centered at the top, with the album title 'Shadows In The Deep' in gothic font at the bottom. Unleashed album art.
An artistic depiction of a face with a dark halo-like shape around the head, surrounded by clouds and a textured background. Superimposed text reads 'Tombs' and 'Winter hours'. Album art.
A tall, twisted candle on a grassy field near the ocean under a dark, stormy sky with lightning, with the text 'OUTCAST' and 'AWAKEN THE REASON' overlaid. Album artwork.
Humanoid characters dressed in gladiator armor and costumes stand on stage in front of a cosmic backdrop with stars and nebulae, while an audience of women with long blonde hair in bikinis with pink body paint cheer. GWAR album art for Lust in Space.
Album cover for Black Breath's 'Heavy Breathing' featuring a black-and-white photo of a man sitting at a table with two lit candles, with a ghostly figure of a woman above him in dark surroundings.
A birthday cake with white icing, colorful sprinkles, and scattered burnt candles. The cake features a label with the text 'iwrestledabearonce' and the phrase 'Ruining It For Everybody' underneath. Album art.
Colorful abstract geometric design with overlapping triangular shapes on a light background, with the words "Floor Oblation" in the top left corner. Album art.
Futuristic robotic humanoid with multiple faces and wires, holding a bloody human heart. Whitechapel album art for 'A New Era of Corruption.'
Nighttime cityscape with illuminated buildings and skyline, with text 'Chunk! No, Captain Chunk! Get Lost Find Yourself' overlayed. Album art.
Illustration of a man with lightning around his hands holding a woman lying down with red hair, a black dress, and red boots. The text reads 'THE ATOMIC BITCHWAX' at the top and 'GRAVITRON' at the bottom. Album artwork.
A horror-themed artwork features a hand holding a joint, surrounded by swirling colors, with a grotesque face and multiple eyes in the background. The text "Cannabis Corpse" appears at the top in dripping, green letters. Album art for Left Hand Pass
An artistic drawing of a burning skull with flames and smoke, surrounded by multiple eyeballs, with the words "FULL OF HELL" and "HOWL". Album artwork.
Dark fantasy illustration featuring a skeleton figure with a skull mask and horns, surrounded by skulls and grotesque creatures, with a cloaked figure holding a spear below. Text reads 'high on fire' and 'death is this communion'. Album art.
An artistic illustration of a lion's head with several human hands reaching out and touching its face and mane, set against a black background. The band's name "Miss May I" is written at the top, and the album title "Shadows Inside" is at the bottom.
A painting of a man battling mythological creatures, including eagles with human features and beings with bird heads, with arrows piercing the man's back and chest, set against a dramatic sky. Album art for Hate Eternal's 'Upon Desolate Sands.'
Illustration of a scary eyeball with a pupil, surrounded by lightning and electrical sparks, with a large green and black text in the background that reads 'Prong' and smaller purple text over a purple background that says 'Ruining Lives'. Album art.
Album cover with the words 'Suicide Silence' and 'You Can't Stop Me' in stylized font, featuring a snake illustration in the background. Album artwork.
Close-up of a human eye with a reflection of a person's silhouette in the pupil. Album artwork.
Album cover for 'The Contortionist' titled 'Exoplanet' showing Earth from space with a bright light and cosmic background
A dark, mythical-themed illustration featuring a demonic figure with goat horns and a goat skull, surrounded by eerie characters and symbols. The text 'The Black Dahlia Murder' appears in the center with geometric and occult motifs.'Ritual' Album art
A dark, dystopian scene featuring a figure with a hood and mask, flames on their chest, and large gear wheels in the background, with destruction and industrial elements around. Dawn of Ashes' album art for 'Genocide Chapter.'
Artwork featuring a portrait of a bearded man with textured details, alongside a circular design with a face and text. Album art for the band Nile's 'Those whom the Gods Detest.'
Cover art for an album by Shadows Fall, featuring a snowy cityscape with a red mountain in the background, a woman holding a gun, a man in a white shirt with a weapon, and a large skull in the top left corner.
Album artwork for The Dillinger Escape Plan's album 'Paralysis.'
A black and white photo of a campfire within a tunnel, surrounded by trees, with the text 'This will destroy you' at the top and 'Tunnel Blanket' at the bottom. Album artwork.
An artistic abstract representation of a person with their head in their hands, with the word 'Sepultura' written in gold and the phrase 'The mediator between head and hands must be the heart' at the bottom. Album art.
Horrific creature with demon-like features, horns, wings, and multiple skulls, emerging from a fiery, volcanic landscape. Album title 'Invidious Dominion' and band name 'Malevolent Creation' are displayed. Album art.
Fantasy artwork featuring two lions inside a dark sphere, with cosmic background and celestial elements, and the word 'Atheist' at the top. Album artwork for 'Jupiter.'
Album cover for I Declare War's "Malevolence" featuring a dark, stormy cityscape with fires burning and a cloudy sky.
Black and blue artistic illustration featuring a skeletal figure with a skull, surrounded by various tribal and abstract designs, and text that says "Through the Eyes of the Dead". Album artwork.
A cosmic scene with a fiery, partially-burned planet in space, surrounded by colorful nebulae and stars, and a band logo with jagged, thorn-like text below it, along with the phrase "There Will Be Violence". Impending Doom album art.
Album cover for 'Hollow Crown' by Architects, featuring a black background with a gold crown and stylized letters, with decorative borders.
Vintage map of the world with a banner reading "The here and now" at the bottom. Architects album art.
Album cover for Shadows Fall titled "Of One Blood" featuring three dark, abstract images of tree roots or branches with a black background.
A promotional poster for the band GWAR, showing band members in costumes on stage with an audience of women in bikinis dancing in front. The text reads "GWAR" at the top and "Lust in Space" at the bottom. Album art.

- Indie/alt/Experimental -

A woman with dark wavy hair holding a large dark brown horse against a black background. Album artwork.
The album cover for Fleetwood Mac's 'Shrine '69' featuring a large central portrait of a woman with butterfly wings and two fish at the bottom corners, with a band of four men below her and mirrored orange and black starburst designs.
A stylized illustration of a snowy mountain landscape with a body of water in the foreground, large text reading 'Vessels' in the center, a flying saucer in the sky, and a spaceship or UFO near the top. Album art.
A young girl in a school uniform sitting on a concrete ball in an urban park, with a city skyline in the background, and a damaged film or photograph with stains and tears. Album art.
Album cover for The Twilight Sad's 'Forget the Night Ahead' with a distressed figure covering their face and text urging to forget the night ahead.
Illustration with surreal, fantasy-themed characters in a cosmic scene, featuring large humanoid figures, animals, and abstract elements, with intricate details and vibrant colors. Ramona Falls album cover.
American flag with a tie-dye pattern in the blue section, hung against a black background. Album cover.
Album cover for 'The Good Feeling Music of Dent May' & His Magnificent UKulele' with colorful, psychedelic, abstract patterns and a black-and-white photo of Dent May and his magnificent ukulele.
Two unfinished houses under construction with no windows and doors, in a rural area. We Were Promised Jetpacks album artwork.
A red ink stamp of a main in the woods inside a circular shape, with trees in the background. Album art.
A collage of six identical women with blonde curly hair, lightly eyes closed, and blue eye makeup, with the text 'The Octopus Project Hexadecagon' overlayed in white. Album cover.
Inside a concert hall, the Mono Holy Ground: NYC Live with The Wordless Music Orchestra is happening, with musicians performing on stage illuminated by red lighting, and an audience seated watching the performance. Album cover.
An album cover for 'Hostage Calm' featuring a vintage photograph of people in white uniforms and a man in a dark suit, preparing for a parachute jump on an airfield with airplane in background.
Album cover featuring a red-tinted profile of a man with long hair and facial hair, with a small silhouette of a person on horseback in the bottom right corner, and the text 'Deer Tick' at the top and 'The Black Dirt Sessions' at the bottom.
Hand-drawn illustration featuring church-like symbols, measurement dials, and the text 'Frightened Rabbit' with stylized squares on the sides. Album cover.
Fabric collage with text 'Freelance Whales' and 'Weathervanes'; includes decorative elements like a large button, a small house-shaped pin, and various textured fabric pieces in earth tones. Album cover.
A woman in a red dress standing on a small floating platform in a large body of dark water. Dar Williams' album cover for 'I'll Meet you Here.'
Drawing of two leopards, one sitting and one lying down with blood, fighting over a person's hand in a cartoon style. People album art "Always got to wash them at their ends."
Close-up of a textured gray fabric or material with a small decorative sticker featuring stripes of pastel colors and a circular emblem. Frightened Rabbit album cover.
Album cover titled "The Trials of Van Occupanther" by Midlake, featuring two people in a forest, one standing in yellow clothing and the other sitting with a black panther mask, wearing a red jacket.
Illustration of two women with skeleton-like features and yellow hair, with words 'SUNG" and 'TONG.'
Illustration of a woman and a man standing on a city rooftop, with the city skyline behind them. Blue tones dominate the image, and a wavy, striped pattern extends from the woman. Saturday Looks Good to Me album cover for One Kiss Ends it All.
A drawing of numerous teeth in the bottom center with colorful lines extending upward behind them, and the words "mum" on the left with an arrow pointing toward the teeth and "smilewound" on the right in a playful font. Album cover.
A red apple with a keyhole cut into its front, accompanied by the text 'AGES AND AGES DIVISIONARY' in the top left corner. Album cover.
Two people standing on a beige carpeted floor in front of an art installation featuring a white wall with a pink and black abstract hanging sculpture or digital projection that appears distorted. Album cover.
A person walking through a city with tall buildings, a large bird's head with a beak and eyes hanging overhead, and text that reads "We were promised jetpacks." Album cover for "In the Pit of the Stomach."
Black and white photo of a young woman and a young man sitting on the ground, holding a chain together, with a dark background. The woman has glasses and is wearing a sleeveless dress, while the man is wearing a striped t-shirt and jeans. The logo 'L
A painting of four boys wading in water at sunset, with a large circular whirlpool in the distance, and the sky has an orange and yellow sunset. There is a text overlay that reads "Little Scream: The Golden Record". Album cover.
A drawing of a big moon shaped like a cookie with craters, in a scene with dark forest and four shadowy figures. Beams of light shoot from the moon, and a small black ring floats nearby. Text reads 'BITTER BITTER, BITTER MOON' and 'MURDER BY DEATH'.
Album artwork featuring three large, textured spheres with human eyes at the center, dripping with a dark liquid. The spheres are colored gold, red, and teal, set against a muted grayish background. The text reads 'Slow Phaser' and 'Nicole Atkins'.
Illustration of two men hiking through a forested trail in the Appalachian Mountains with trees, animals, and mountains in the background. The Okee Dokee Brothers album art for 'An Appalachian Adventure Album.'
Kids and animals on a boat in a river, surrounded by nature with mountains in the background, holding musical instruments and preparing to sing. The Okee Dokee Brothers album art for 'Can You Canoe?.'
Two men singing and playing guitars, standing in front of vintage microphones, with a banner above reading 'Songs for Singin'' and a banner below reading 'The Okee Dokee Brothers'. Album cover.
A woman with blonde hair wearing black clothing, sitting on a wooden bench with one leg crossed over the other, holding a vintage suitcase. Behind her is a large world map with a green stamp that reads 'DAR WILLIAMS EMERALD.' There is a wooden ladder
A dark, turbulent ocean with twisting, broken branches and a submerged, partially visible fish. The water has white foam and ripples. Overlaid in white text are the phrases "the dodos" and "certainty waves". Album cover.
Album cover titled 'The Seduction of Kansas' featuring three illustrated people in colorful clothing in a vintage room setting. Priests album cover.
Vintage-style postcard illustration promoting Michigan, featuring a deer, a fish jumping out of a lake, a pine tree, and a branch with flowers, with text reading "Sufjan Stevens presents... Greetings from Michigan, The Great Lake State". Album cover.
An illustrated album cover titled 'The Aralamche' featuring a man in a superhero costume with a red cape and an 'I' on his shirt, flying above mountains and a grassy field. There is a red pickup truck below him, and a man in a suit standing nearby. T
Children and animals in a hot spring pool, surrounded by bears, panda, tiger, seals, dog, cat, and other animals, with some children wearing hats and headcovers. Album cover.
Close-up of ripe strawberries with a drizzle of syrup and a sprig of mint on a decorative plate. Album Cover for Animal Collective 'Strawberry Jam'
A person sitting on a ladder playing an accordion, with a cloudy sky in the background. The image has text that reads 'My Brightest Diamond' and 'a thousand shark's teeth.' Album cover.
A man and woman sit at a dinner table with a birthday cake and lit candles, surrounded by letter blocks spelling 'BEACH' and 'HOUSE', in a cozy room with a candle center piece. Album cover for 'Devotion.'
A vintage, hand-drawn album cover titled 'Frightened Rabbit: The Midnight Organ Fight.' It features various surreal and abstract imagery, including a rabbit, musical instruments, clouds, and various objects, all drawn in a sketchy style with labels.
A sign with the word 'wheat' above an image of a wheat grain. Album cover.
Black and white photograph of a young boy standing on a beach, holding a fish in his right hand, with sand dunes in the background. Text overlay reads "Angus & Julia Stone" and "dawn the way." Album cover.
Album cover for Galaxy 500's 'This is our Music' featuring three black-and-white photos of women and men.
Black and white photo of three people sitting in front of a wall covered with graffiti and handwritten notes, with the text 'GALAXIE 500 COPENHAGEN' at the top. Album cover.
Tattoo on person's neck saying "Xiu Xiu Always". Album cover.
Poster for original Broadway cast recording of 'Hades Town' featuring a hand holding a red flower against a dark background, with the title 'HADES TOWN' in bold white and red letters.
Album cover for Angel Olsen's 'Phases' with a black and white photo of a woman playing guitar in multiple overlapping layers.
A hand-drawn angel statue with a halo and tears, surrounded by arrows, and labeled 'The Bible 2'. The statue's base has the words 'No more shame. No more fear. Dread' written on it. There is a colorful circular pattern in the top left corner;AlbumArt
A young girl with dark hair sitting against a hillside covered in green bushes, looking up with her hands clasped. The hillside slopes upward with a tree at the top, and the sky is clear. Text at the top reads 'LUCY DACUS' on the left and 'NO BURDEN'
Black background with small vertical black and white lines in the center. Album artwork.
Album titled 'Young Man in America' by Anais Mitchell with an image of a young man lying down, looking sideways, with a starry-eyed expression, and a background with yellow radiating lines.
Two young women leaning against the front of a white vintage car with a rural landscape in the background. One woman is sitting on the car's hood with her hand near her face, and the other is standing, wearing a black dress, with her legs crossed at
Illustration of children in a farm or garden, with animals including chickens, ducks, a pig, and birds, and a girl with long hair holding a bowl, surrounded by trees and a girl in traditional dress. Animal Collective album art for 'feels'
Abstract surreal landscape with a large orange mushroom with black spots, a box-shaped creature with stick limbs, pyramids in the background, and floating black and purple orbs in a colorful sky with a large moon. Album cover.

- Pop-punk / emo / rock / Punk -

Album cover featuring a stylized flame above water with the text 'alkaline trio' and a skull inside a heart with the words 'hot water music'. Album cover.
Album art for Mayday Parade's 'a lesson in romance' with a stylized cityscape background, a silhouette of a person holding a red umbrella, with bold orange, yellow, and red rays in the sky.
A zombie hand holding a bouquet of yellow and orange roses with bloodstains and scars, with text saying 'For All Those Sleeping' and 'Cross Your Fingers'. Album cover.
Album cover featuring a sepia-toned photograph of worn outdoor stairs leading up through a wooded area, with the text 'He is Legend' in stylized lettering at the top and 'Suck Out the Poison' at the bottom.
A black and white illustration of the Capitol building with a large yellow lightning bolt striking down from the sky, surrounded by a yellow, red, and green border. Bad Brains' album cover for selt-titled album.
An illustrated album cover featuring a mirror with a person writing on a wall, graffiti background, and the word 'Alesana' at the top. Album cover for 'The Emptiness.'
A black butterfly against a watercolor-style blue and gray background with the text "Our Last Night" and "We will all evolve." Album cover.
An animated figure with a box-shaped head, wearing a red coat and brown pants, walking across a desert landscape with ruins and industrial chimney structures in the background, under a cloudy sky. Hands like Houses album cover for 'Ground Dweller.'
A split image of a young man's face, half calm with clear skies, and the other half raging with flames and fire. For All Those Sleeping album cover for 'Outspoken.'
Close-up of a human eye with a city skyline reflected in the iris, and the text 'ASKYLTDRIVE' and 'LADELPHIA' at the bottom. Album cover.
Collage of a bear roaring, a tiger, a snake, a guitar, musical notes, and artistic splashes with the text 'Love Hates Hero' and signature 'White Lies'. Album cover.
Two young people, a boy and a girl, facing each other in a forest, holding a glowing box between them. The text "Pierce the Veil" and "Selfish Machines" appears on the image, indicating it is related to the band's album cover.
Poster with a man in a suit holding a baseball bat over his face, with crumpled yellowish paper background. Text reads 'A Day to Remember' at the top and 'For those who have heart' at the bottom. Album cover.
An album cover with the title 'Artist vs Poet' at the top. In the center, a pair of black headphones arranged in the shape of a heart. Below, a pair of scissors and a soldering iron with their cords intertwined. The words 'Favorite Fix' are written i
Silhouette of a person standing in a dark, fantastical forest with twisted blue and purple plants, glowing fungi, and ominous eyes in the trees, with a mysterious light in the background. A Day to Remember album cover for 'Homesick.'
Cartoon zombie album cover with angry face, sharp teeth, and clawed limbs, with text 'A DAY TO REMEMBER' and a speech bubble saying 'Attack of the Killer B-Sides', set in a dark, apocalyptic landscape with fire and cracked ground.
A person standing on a hilltop looking at layered mountains in the background. Overlaid text in red says 'For All Those Sleeping' and 'Incomplete Me'. A circular logo with a steaming book icon is in the center. Album cover.
A person in a black hat holding an open book in front of a fantasy landscape with a castle, moon, and trees. The person is viewed from behind, over a balcony with decorative balusters. Alesana album cover for 'Where myth fades to Legend.'
A graphic illustration of a monstrous bear with a wolf's head and a rabbit's head emerging from its side, showing sharp teeth, claws, and aggressive expressions, with its abdomen open revealing human brains, pills, and a tumor inside. The background
A shattered glass mask with a dark, ominous face behind it, and the text 'Eyes Set to Kill Masks' in white and red lettering. Album cover.
Illustration of a person with a beard in robes, holding a staff with smoke or cloud forming from their head, standing in a boat on water, with decorative text reading 'CHIODOS' and the phrase 'all's well that ends well' in smaller text. Album cover.
A group of five young adults sitting at a yellow table in a restaurant, engaging in conversation, with one woman in the foreground and four men, some wearing glasses, in the background. Fall Out Boy album cover for 'Evening Out With Your Girlfriend.'
Album cover art for 'Creatures' by Motionless in White featuring dark, monstrous hands and black crows against a purple and yellow moonlit background.
Person in white lab coat holding a black cap, with text reading 'The Word Alive Deceiver' on a dark background. Album cover.
A person with blonde hair wearing a red and white striped shirt playing a dark arcade game titled 'Identity Crisis' with a woman's face on the screen, titled 'WSTR' at the top. Musical album cover.
Digital artwork with glowing blue greater than and less than symbols in a tiled room, with the text "There For Tomorrow" at the top and "A Little Faster" at the bottom. Album cover.
Colorful graffiti-style artwork with the text "Breathe Carolina" and "Hello Fascination" written in black, over a rainbow background. Album cover.
Cover of a self-titled album titled 'The Audition' with colorful, pastel-striped text on a dark background.
Yellow manoverboard card with a heart and crossed rifles, with the words "MAN OVERBOARD" and "REAL TALK" in red. Album cover.
Illustration of a cartoon monster dog with a guitar head, along with a slot machine featuring photos of band members, and text that reads 'The Great Rock-Steady Swindle' and 'The Slackers'. Album cover.
Album cover for 'Bowling for Soup: Merry Flippin' Christmas Volumes 1 and 2,' featuring an illustration of Santa Claus pointing upward, along with a group of men dressed in festive holiday-themed clothing, on a background with Christmas decorations.
Four band members wearing colorful ski masks holding guitars and drumsticks in front of a neon sign that says "Masked Intruder."
Nighttime cityscape of Los Angeles with illuminated buildings and streets, with the dark sky above. Overlaid text reads 'Chunk! No, Captain Chunk! Get Lost Find Yourself'. Album cover.
Illustrated weather forecast icon of the sun partially obscured by a cloud, with colorful watercolor splashes around it, and the text 'WITH CONFIDENCE • BETTER WEATHER' underneath. Album cover.
Three circular images of nature scenes: water, palm trees, and a mountain road, with the words "BROADSIDE Paradise." Album cover.
Looking up into a forest canopy with trees having orange and yellow leaves, creating a vivid and colorful autumn scene. Album cover.
A colorful illustration of a woman with curly hair and a scorpion body, holding a trident, with a swirling red and blue patterned background. Album cover.
Indoor scene featuring a brick wall decorated with a neon sign that reads "Gone Are The Good Days." There is a guitar on a sofa, a drum set, a small speaker, a potted plant, and scattered cans and books on the wooden floor. Album cover.
Album art holding a pineapple grenade and a bunch of green pineapples, with a fist holding a pin. The background features a red and black burst pattern. The text says "BALLYHOO!" in bold red letters and "PINEAPPLE GRENADE!!" in a white speech bubble.
A cartoon scene of a person lying on the sidewalk with a camera, a small dog nearby, and two characters inside a bakery toasting with drinks. A homeless man holding a sign that says "Tomorrow It'll End" stands beside a grave labeled Willie, with the
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- Hardcore / crossover / Core-ADJ. -

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- Hip hop / ADJ. -

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- Progressive rock/metal -

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- OTHER -

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